Yesterday morning, billionaire Los Angeles Times owner Patrick Soon-Shiong published a letter to readers letting them know the outlet is now using AI to add a “Voices” label to articles that take “a stance” or are “written from a personal perspective.” He said those articles may also get a set of AI-generated “Insights,” which appear at the bottom as bullet points, including some labeled, “Different views on the topic.”
“Voices is not strictly limited to Opinion section content,” writes Soon-Shiong, ”It also includes news commentary, criticism, reviews, and more. If a piece takes a stance or is written from a personal perspective, it may be labeled Voices.“ He also says, “I believe providing more varied viewpoints supports our journalistic mission and will help readers navigate the issues facing this nation.”
The news wasn’t received well by LA Times union members. In a statement reported by The Hollywood Reporter, LA Times Guild vice chair Matt Hamilton said the union supports some initiatives to help readers separate news reporting from opinion stories, “But we don’t think this approach — AI-generated analysis unvetted by editorial staff — will do much to enhance trust in the media.”
It’s only been a day, but the change has already generated some questionable results. The Guardian points to a March 1st LA Times opinion piece about the danger inherent in unregulated use of AI to produce content for historical documentaries. At the bottom, the outlet’s new AI tool claims that the story “generally aligns with a Center Left point of view” and suggests that “AI democratizes historical storytelling.”
Insights were also apparently added to the bottom of a February 25th LA Times story about California cities that elected Klu Klux Klan members to their city councils in the 1920s. One of the now-removed, AI-generated, bullet-pointed views is that local historical accounts sometimes painted the Klan as “a product of ‘white Protestant culture’ responding to societal changes rather than an explicitly hate-driven movement, minimizing its ideological threat.” That is correct, as the author points out on X, but it seems to be clumsily presented as a counterpoint to the story’s premise – that the Klan’s faded legacy in Anaheim, California has lived on in school segregation, anti-immigration laws, and local neo-Nazi bands.
