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    Home » A New Chef’s Knife From Misen Promises Pro Quality For $65. But It Doesn’t Make the Cut
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    A New Chef’s Knife From Misen Promises Pro Quality For $65. But It Doesn’t Make the Cut

    News RoomBy News RoomJune 24, 20255 Mins Read
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    A New Chef’s Knife From Misen Promises Pro Quality For . But It Doesn’t Make the Cut

    Among all the tools and gadgets that can fill a kitchen, knives are without a doubt the most personal and indispensable. Admire one in a chef’s collection and prepare for an unsolicited earful of its history, but do not expect an offer for you to try it. My own collection is modest but I’m proud of it. Among them, my favorites are a Wüsthof Classic Cook’s Knife and my Tadafusa santoku. The Wüsthof capably does everything from mincing a shallot to cutting up a chicken and the sharper blade angle of the santoku cuts through vegetables like a scalpel.

    A new chef’s knife from Misen promises the best of both knives, making giant-killer claims about innovative geometry, high-grade steel, a santoku-style blade angle, and free sharpening for life. Most impressively, it brags of what it calls the “honest price” of $65, a number that’s less than half the price of the high-end knives it calls its competition.

    Intrigued, I called one in to test. Misen started as a Kickstarter but is shipping its knives this fall. Days later, I had my chef’s knife, my santoku, and the Misen chef’s knife lined up next to one another on my cutting board. The most striking feature of the Misen was the side view, which looked a bit like both knives, combining the flatter belly of the santoku and both the handle and upward sweep at the tip of the chef’s knife, a sort of westernized version of a Japanese knife known as a gyuto.

    I bought a bag full of groceries to chop and declared the game afoot. The differences between the three knives were immediately apparent. While the Misen most resembles a traditional chef’s knife, it doesn’t really behave like one. The Wüsthof has a large, curving ‘belly,’ a German style that encourages a rocking cutting motion with the tip of the knife planted on the board, the back end moving up and down, while the whole thing slides back and forth with each stroke. The santoku style relies more on keeping its flatter blade parallel to the cutting board, gliding forward with each downward movement.

    For me, the Misen often felt most comfortable using a santoku-style stroke. It was particularly noticeable when I was working my way through something tall like a wedge of cabbage or chopping up a pile of herbs. Try a stroke that allows the Wüsthof to power through that kind of work with the Misen and it’ll feel like a flat thud every time the length of the blade hits the cutting board. That said, I felt confident that the best stroke for whatever I cut with the Misen would become apparent with use, and I’d get better with it over time.

    Prep Work

    In my three-knife showdown with a bag of groceries, the Misen never became my weapon of choice. The first thing I worked on was cutting bacon into a quarter-inch dice for a potato and leek soup. Cutting the thick slices into long strips was fine, but when I switched to the crosswise cut, things got … dicey. The Wüsthof sliced through cleanly, creating nice, neat corners and edges. The Misen needed an awkwardly exaggerated stroke to get the same result, otherwise it slightly crushed the cubes. It had similar difficulty with the final strokes that cut a red pepper into the tiny cubes of a brunoise.

    Like the Wüsthof, the Misen used its weight to slice easily through a russet potato and just like the Wüsthof, the slices stuck to the side of the knife with suction-cup force, a common problem my santoku sidestepped thanks to dimpling on the side of its blade. All three knives blazed through leeks and chives. The Wüsthof and the Misen both performed admirably cutting a chicken into pieces, including powering through the breastbone, something I wouldn’t do with my santoku.

    On the other hand, the santoku is my go-to knife for most veggies, unless it’s something really firm that I need to lean into, but here I noted something peculiar. Misen touts its santoku-like 15-degree blade angle, as opposed to the wider angle of most chef’s knives, but just like my Wüsthof, the Misen never felt like my scalpel-like santoku.

    Slice Check

    Despite these misgivings, that attractive price tag loomed large and I called a pair of bladesmiths to decode what was happening.

    “Most people will evaluate their edge in the first 10 minutes of use,” said Daniel O’Malley of Epicurean Edge in Kirkland, Washington, who explained that a diligent knife sharpener can put a fairly sharp edge on most knives, but poorer blades just won’t hold that edge for long. “Really, what we should care about is how they feel about it 12 months down the line.”

    Over the phone, I steered O’Malley toward Misen’s website, where the company talks about what makes its knife special and how it says the knives measure up against their higher-priced competition. He went quiet for a while.

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